This course is applicable for the Capability Development Grant
“Make the manuscript the finest it can be” — with advanced copyediting and proofreading.
In this intensive, two-day workshop, participants will work at an advanced level with a variety of texts —fiction and non-fiction — and hone their techniques for ensuring that each element of the text is the shape it should be; that language is elegant and appropriate, that ideas are expressed as clearly as possible, and the narrative flows as it should.
This is a practical workshop with many examples and opportunities for participants to work in small groups, and have the opportunity to present to the group, as well as opportunities for collegial and individual work and practice.
- Analysing and identifying challenges in texts: Checklists and exercises
- Audience and purpose: Aligning text to appropriate markets
- Macro- and micro-editing: Balance and coverage
- The editor’s role and responsibilities beyond ‘pure’ editing or proofing
- Keeping track: The editor’s toolkit for clarity, consistency and concision
- Balancing the elements: Being advocate for the public, publisher and author
- Communicating well: Becoming a diplomat and a choreographer!
- Proofreading techniques: Checklists and exercises (individual and pair work)
- Exercising judgement: When to change and when to hold back.
- Question and answer sessions each day.
You’ll be provided with checklists, exercises and suggested edits for the sample texts.
There is a question and answer session each day.
This advanced level workshop will include group work, one-on-one support and feedback on editing and proofreading practice.
Who Should Attend: Editors, proofreaders
About the trainer: Shelley Kenigsberg
Shelley Kenigsberg is a prominent freelance editor, writer and trainer. She runs S K Publishing (working with a range of private and publishing clients) and, since 2009, has presented Editing in Paradise masterclass programmes. She is currently involved in training editors, mentoring writers, and editing and writing for trade, corporate, academic and educational, government and private clients.
Kinokuniya Privilege Card Members
Kinokuniya Privilege card members can also enjoy a 10% discount on all our courses. Please share with us your membership card number by emailing [email protected] along with the workshop title.
SBCA Three and more
SBCA Three and more: Form a group of three and more and enjoy a 10% discount on each ticket in one purchase
Please request from [email protected] for the discount code, before registering and paying for the workshops via Eventbrite.
Capability Development Grant
The Capability Development Grant is open to individuals and organisations who have a strong track record of involvement in the arts at a professional level, and is able to demonstrate commitment to the long-term development of the arts in Singapore.
Registration is on a first-come-first-served basis and workshop fees must be paid before the workshop. If the minimum number of participants is not met for the class, the organisers will inform all participants about possible postponement and cancellation, two weeks before the workshop date.
Cancellation & Substitution
The workshop can be cancelled or postponed two weeks before the workshop date if the minimum number of participants is not met. Participants will be fully refunded for workshops cancelled by us.
Participants who are unable to attend a workshop they have registered for are to inform us of the reason two weeks before the workshop date. They will be fully refunded in the event of extenuating and mitigating circumstances (E.g. illness, bereavement, accidents) . Those who inform us up to five (5) working days before the workshop date will receive a 50% refund. Participants can also attend another course at the same value within the same year.
Upon registration, you are deemed to have read and understood the cancellation, withdrawal and substitution policy and accept the terms contained therein.
Register for “Masterclass on Advanced Copy-editing and Proofreading for Fiction and Non-fiction”